RESEARCHES
In constant articulation with the academical environment, we outline two distinct research fields: MOVEMENT, SOUND AND VOICE and MEMORIES AND HISTORY OF DANCE, from which result publications, lectures, courses and performative conferences.
MOVEMENT,
SOUND AND VOICE
PROJECTS
(2020-2021)
SONOROUSCHOREOGRAPHY: COGNITIVE AGREEMENTS BETWEEN MOVEMENT, SOUND, AND VOICE IN BODIES THAT PERFORM MULTIPLE ARTISTICAL TASKS
This project was a theoretical and practical study carried out in the Department of Art History, Musicology and Theatre Studies from the University of Ghent (Belgium), in partnership with Professor Doctor Marc Leman and IPEM/ASIL (Institute for Systematic Musicology/ArtScienceInteractionLab), with a CAPES-PRINT grant (Junior Visiting Professor).
(2015-PRESENT)
SONOROUSCHOREOGRAPHY AS ART-CONCEPT: UNEXPECTED FLOW BETWEEN BODY-VOICE,
COGNITION, MEMORY AND CULTURE
The project is a theoretical and artistical study thriving from the crossing of creative processes, bibliographic investigations, and experiments. The interest in carrying out this research comes from developing the artistic concept of sonorouschoreography as the designation of certain composing fashions as well as a cognitive-cultural category in the treatment between movement, sound and voice. The main hypothesis is that both movement and voice compose cultural and cognitive employments, which transform aesthetic, political and power relations. In order to dialogue with this perspective, contributions were sought from authors of Body Studies, Cognitive Science and Embodied Music Cognition, whose perspectives are surrounded by themes such as perception, body and culture, sound production, memory and movement. The discussions led by this investigation have been spawning the production of scientific papers, essays, oral
presentations of papers in scientific events, short duration courses
and the creation of shows. Linked to this project are the artistic researches alongside Pró-Posição Dance Company, Katharsis Theatre Company and with TEIA - Território de Estudos Interdisciplinares em Artes (Territory of Interdisciplinary Studies in Art) (ECA-USP), besides the scientific-artistic investigation alongside IPEM/ASIL from Ghent University, with a CAPES-PRINT grant (Junior Visiting Professor).
PUBLICATIONS
FULL ARTICLES
PUBLISHED IN JOURNALS
From Movement to Sound, from Sound to Movement:
biocultural relations between dance and music
A dramaturgia do ator nos processos cênicos
coevolutivos do Grupo Katharsis.
Rebento: Revista de Artes do Espetáculo. São Paulo: UNESP,
v.1, p.44- 51, 2010. ISSN: 2178-1206.
FULL PAPERS
PUBLISHED IN
CONGRESS ANNALS
Reflexões sobre a pesquisa corpovocal na
experiência teatral do Grupo Katharsis.
Anais do IX Congresso da Associação Brasileira de Pesquisa e Pós-graduação em Artes Cênicas, 2017, p. 3783-3803. ISSN: 2176-9516.
ABSTRACTS PUBLISHED
IN CONGRESS ANNALS
Reflections about the embodied sound in the dance of Easy Pieces. In: IFTR Conference 2017, 2017, São Paulo.
Book of Abstracts - International Federation for
Theatre Research conference, 2017, 2017.
REVIEW
Ritmo e dinâmica do espetáculo teatral.
Sala Preta (USP), v. 14, p. 130, 2014.
PROJECTS
(2013-PRESENT)
DANCED HISTORIOGRAPHY AND
MEMORIAL CARTOGRAPHY
The project seeks to investigate the action of the artists who undertake the role of dance archivists and dialogue, within their work, with historical and memorial traces, collapsing the parts of artist and historian. It also aims at working on the hypothesis of the cartography of memories formulated during the doctoral research “Mediatic cartography: the bodymedia concept in the construction of the memory of dance" (PUC-SP, 2012). For this purpose, this study dwells on the autobiographical and documental works of the company Pró-Posição between 2007 and 2012, to move from there in search of other case studies. The company Pró-Posição was founded in the city of Sorocaba, in 1973, and left its mark on Brazil's dance history, with important productions born from the partnership between its creators Denilto Gomes (1953-1994) and Janice Vieira. In 2017, after a 24-year hiatus, the group resumed with a series of autobiographical works that bring together mother (Janice Vieira, the group's founder) and her daughter, Andréia Nhur. In 2013, the group received the APCA Award for the continuous research of dance. Workpieces after resumption fall between dance and documentary, once they compile documents, testimonies, videos and pictures of past and present times. . In this context, the research proposes to discuss the historiography of the bodies, generated from the crossing of archives, repertoires and testimonies in temporal and memorial dislocations that turn the scene into a possible historical spelling. It refers to a historical proposition of dance that emerges from dance itself and its works, against a historical writing from chambers. To this project, relate artistical researches alongside Pró-Posição Dance Company, Katharsis Theatre Company and TEIA-Território de Estudos Indisciplinares em Artes (Territory of Interdisciplinary Studies in Art) (ECA-USP).
PUBLICATIONS
DOCTORAL THESIS
CAMARGO, Andréia Vieira Abdelnur. Cartografias midiáticas: o corpomídia na construção da memória da dança. São Paulo, PUC, 2012 (tese de doutorado).
MASTER'S DISSERTATION
CAMARGO, Andréia Vieira Abdelnur. Procura-se Denilto Gomes: um caso de desaparecimento no jornalismo cultural. São Paulo: PUC, 2008 (dissertação de mestrado).
FULL ARTICLES
PUBLISHED IN JOURNALS
Dança e engajamento político no
trabalho do grupo Pró-Posição.
Revista Sala Preta (USP), v. 19, p. 163-177, 2019.
Memórias de mãe e filha.
REVISTA ASPAS, v. 9, p. 185-197, 2019.
O voo do cisne: quando o corpo testemunha a dança. Revista Sala Preta (USP), v.16, p.131 - 144, 2016.
A dança que o jornal reporta: considerações s
obre dança e jornalismo cultural no Brasil.
Revista Dança, v. 3, p. 1, 2014.
Memória, corpo e mídia na experiência de
relançamento do Grupo Pró-Posição.
Revista Nexi, v. n.2, p. 01-15, 2012. ISSN 2237-8383.
CHAPTERS IN
PUBLISHED BOOKS
Historiografia dançada: escritas memoriais
a partir da dança do cisne.
In: GUARATO, R. Historiografia da Dança:
Teorias e Métodos.1 ed.São Paulo:
Annablume, 2018, 181- 200. ISBN: 978-85-391-0893-0.
O vírus moderno: olhares sobre a experiência do LAPETT. In: OLIVARES, L; PEREIRA, S. (Org.).
Trajetórias em Construção: Escritos Cênicos
dos Pesquisadores do Lapett.
1ed.Curitiba: Prismas, 2016, v. 1, p. 13-28.
A não história da dança ou a historiografia dos restos.
In: Lenira Rengel;Karin Thrall. (Org.). O corpo em cena. 1ed.Guararema: Anadarco, 2013, v. 6, p. 37-62.
FULL PAPERS
PUBLISHED IN
CONGRESS ANNALS
Reflexões sobre rigor e especificidade na pesquisa acadêmica em dança, memória e história. In: V Congresso da Associação Nacional de Pesquisadores em Dança, 2018, Manaus. Anais do V Congresso Nacional de Pesquisadores em Dança, 2018. p. 433-441.
Proposta cartográfica para balizar pesquisas em dança. In: V Encontro Científico Nacional de Pesquisadores em Dança, 2017, Natal. Anais do V Encontro Científico Nacional de Pesquisadores em Dança. Natal: ANDA, 2017. p. 721-734.
Escrever História da Dança: das evidências às descontinuidades históricas. In: IV Encontro Científico da Associação Nacional de Pesquisadores em Dança, 2015, Santa Maria. Anais do IV Encontro Nacional de Pesquisadores em Dança, 2015. p. 1-11.
As metáforas do cisne na dança. In: II Congresso Nacional de Pesquisadores em Dança, 2012, São Paulo. Anais do II Congresso Nacional de Pesquisadores em Dança (ANDA) - 2012, 2012. p. 01-18.
O cisne como demarcador ideológico na construção da memória da dança. In: VI Congresso da ABRACE, 2011, São Paulo. Memória Abrace Digital, 2011.
Memória e continuidade: as implicações de um fenômeno de relançamento. In: 2º Encontro nacional de pesquisadores em dança (2011) Dança: contrações epistêmica, 2011, Porto Alegre. Anais do 2º Encontro nacional de pesquisadores em dança (2011) Dança: contrações epistêmicas, 2011. p. 01-12.
Denilto Gomes e a dança que não foi escrita. In: Encontro Nacional de Pesquisadores em Dança, 2010, Salvador. Catálogo: 1º Encontro Nacional de Pesquisadores em Dança. Salvador: UFBA, 2010. v. 1. p. 67-73.
Memória e continuidade: por um(a) novo(a)o Pró-Posição. In: V Reunião Científica da ABRACE, 2010, São Paulo. Dança, Corpo e Cultura, 2010.
Denilto Gomes em registro: um caso de
desaparecimento na dança do Brasil.
In: I Simpósio e IV Mostra de Dança da FAP, 2008, Curitiba. Anais do I Simpósio e IV Mostra de Dança da FAP. Curitiba: Faculdade de Artes do Paraná, 2008. v. I.
MEMORIES AND HISTORY OF DANCE
PERFORMATIVE
CONFERENCES
PERFORMATIVE CONFERENCE / DANCED HISTORIOGRAPHY: MEMORIAL WRITINGS FROM THE DANCE OF THE SWAN
(PRÓ-POSIÇÃO DANCE COMPANY -2017)
Performative lecture out of the dance works of the Swan Trilogy (2007-2009) and the study developed in the second chapter of the doctoral thesis "Mediatic cartography: the bodymedia concept in the construction of the memory
of dance” (PUC-SP, 2012), regarding the presence
of the swan in western dance history.
Performer-speakers: Andréia Nhur and
Janice VieiraPerformances: 1st International
Dance History Seminar (UFG-2017);
Lab Theatre of the University of São Paulo (USP-2018)
PERFORMATIVE CONFERENCE/ DANCE HISTORIOGRAPHIES: WHEN DANCE NARRATES ITS HISTORY (PRÓ-POSIÇÃO DANCE COMPANY-2018)
(PRÓ-POSIÇÃO DANCE COMPANY-2018)
The work shows a historiographic proposal based on the communication between work pieces and dance artists.
The study derives from an academic and artistic research about the swan as a connective element between hegemonic historical narratives and the transversal and marginal memories present in the processes of citation and recreation. A performative lecture will be done based
on the dance of the swan created by the Brazilian company Pró-Posição, an important reference in contemporary
dance that emerged in Brazil in the 70s.
Performer-speakers: Andréia Nhur and Janice Vieira
Performances: XI Jornadas de Investigación en Danza (National University of Arts- Buenos Aires - 2018).
Dona Maria e a doçura de dançar adiante.
São Paulo: Itaú Cultural, 2016
(Publicação de artigo em caderno de escritos,
autoras: Janice Vieira e Andréia Nhur).
Corpovozemcolapso: ações em paralaxe.
Sorocaba: PAMDA, 2015
(Publicação de artigo em Caderno de escritos).
Grupo Katharsis: Fluxus. Sorocaba: PAMDA, 2015 (Organização de Caderno de Escritos).
Foi marginália no interior.
São Paulo: São Paulo Companhia de Dança, 2013
(Texto de apresentação do DVD -
Figuras da Dança Janice Vieira).
Janice Vieira | Cronologia.
São Paulo: São Paulo Companhia de Dança, 2013 (Cronologia de Janice Vieira).
Tempo e espaço: os solos de Marrabenta.
Forum Internacional de Dança, v. 1, p. 20-23, 2013.
Retrato-falado de Angel Vianna.
Por uma museologia do corpo que dança,
Belo Horizonte, p. 32 - 34, 01 nov. 2010.
La danse opaque de Black Swan.
Dossier de presse Nouvelles 2010,
Strasbourg, p. 19 - 20, 20 maio 2010.
A dança opaca de Black Swan.
FID 2009 - ETITUDE, p. 36 - 37, 01 nov. 2009.
A respeitável seriedade de Caleidoscópio.
Jornal Cruzeiro do Sul,
Sorocaba-SP, p. B-7 - B-7, 11 nov. 2001.
